Music-based superhero comics from the 1940s

Surreal…

“Flung into a series of amazing adventures by his impetuous nature, and intense hatred of injustice, John Wallace finds himself the possessor of the wonderful Pipes of Death and becomes the Music Master, matching long forgotten secrets of the ancients against the marvels of modern science…”

So begins the nearly three year run of a character high on the list of “Most Oddball and Bizarre” comic book characters from the Golden Age, our pal the Music Master, who needs only a note of music, or at least a burst of sound approximating a musical note, to perform strange and fantastic feats.

[…]

In his first yarn our protagonist is quickly stabbed in the chest and mortally wounded with a violin bow. Well, now, this had me going right off! I certainly haven’t seen any comic book crooks deal out violence that way before. Thanks to the musical ministrations of Antonini the famed violin maker he is not only revived (using an ‘ancient Egyptian instrument’) but his body has become “…attuned to the frequency of musical sound waves, and that he can identify himself with any musical note so that his body will react and cling to the waves of sound, and he will be transported with the speed of sound to the source of the music.”.

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